Publications:

JAZZ LIBRE et la révolution québécoise. Musique-action, 1967-1975. Mont-Royal: M Éditeur, 2019 [forthcoming].

— “The New Quebec Man: Activism and Collective Improvisation at Petit Québec libre, 1970-73.” In Making Men, Making History: Canadian Masculinities across Time and Place, edited by Peter Gossage and Robert Rutherdale, 236-254. Vancouver: UBC Press, 2018.

— “Parti pris pour le jazz ou l’écoute engagée chez la gauche québécoise.” In Avec ou sans Parti pris: le legs d’une revue, edited by Gilles Dupuis, Karim Larose, Frédéric Rondeau, and Robert Schwartzwald, 425-448. Montreal: Éditions Nota bene, 2018.

— “Jazz libre: musique-action ou la recherche d’une praxis révolutionnaire au Québec (1967-1975).” Labour / Le Travail 77 (Spring 2016): 93-120. *** Political History Prize (best French language article) awarded by the Political History Group of the Canadian Historical Association (CHA).

— “Jazz libre et free jazz.” In La contre-culture au Québec, edited by Karim Larose and Frédéric Rondeau, 25-54. Montreal: Presses de l’Université de Montréal, 2016.

— “Le sahabi de Sonde: évolution et mutation d’une source sonore.” Circuit: musiques contemporaines 23, 1 (2013): 9-14.

Interviews:

— “Ce soir on improvise: entretien avec Raymond Gervais et Michel Di Torre.” Hors champ (4 January, 2012). http://horschamp.qc.ca/spip.php?article469.

— “Vive les animaux et/ou Y’a du dehors dedans: entretien avec Pierre Monat.” Hors champ (4 January, 2012). http://www.horschamp.qc.ca/spip.php?article470.

Conferences and Presentations:

“Performing Masculinities in Post-Quiet Revolution Québec: Musicking and Oral History.” Making Men, Making History: A Roundtable on Masculinities and Oral History, 52nd annual meeting of the Oral History Association (OHA). Montreal; 11 October, 2018.

“Liberation Music: Free Jazz Travels North.” Music in History: Post-1945 U. S. History through Music (course offered by Elena Razlogova at Concordia University). Montreal; 31 October, 2017.

“Montréal improvisé: un nouveau paysage musical au lendemain de l’Expo 67.” Conference series Histoire de Montréal en mots, en musique et en images (Bibliothèque et Archives nationales du Québec / Concordia University). Montreal; 10 October, 2017.

“Manseau under the Gaze: Youth Counterculture and Surveillance in Quebec.” 8e biennial meeting of the Urban History Association (UHA). Chicago; 15 October, 2016.

Keynote for the Ça jazz en socio event. Annual congress of the Association internationale des sociologues de langue française (AISLF). Montreal; 7 July, 2016.

“Toward a Revolutionary Praxis: Free Jazz in Post-Quiet Revolution Quebec.” Annual congress of the International Association for the Study of Popular Music (IASPM Canada / United States). Calgary; 30 May, 2016.

Round-table for the launch of La contre-culture au Québec (Librairie Olivieri). Montreal; 27 February, 2016.

“Listening to (and Participating in) Quebec’s Musical Avant-Garde: Experimentalism and Free Jazz at the Turn of the 1970s.” Digital Literacy Project (Atwater Library and Computer Centre). Montreal; 23 October, 2015.

“Surveiller Manseau: révolution hippie, drogue et jeunesse québécoise dans la mire du pouvoir.” Contre-culture: existences et persistances international conference (Université de Montréal). Montreal; 15 October, 2015.

“Jazz libre: musique-action ou la recherche d’une praxis révolutionnaire au Québec (1967-1975).” 67th annual meeting of the Institut d’histoire de l’Amérique française (IHAF). Quebec City; 17 October, 2014.

“Le nouvel homme québécois: improvisation collective et militantisme au Petit Québec libre.” 82nd Annual meeting of the Association francophone pour le savoir (ACFAS). Montreal; 12 May, 2014.

“The ‘Necessary Appropriation’ of Jazz: Music, Decolonization, and the Quebec Left in 1960s and 1970s Montreal.” Social and Cultural Geographies of Montreal (course offered by Ted Rutland at Concordia University). Montreal; 5 February, 2014.

Parti pris pour le jazz ou la construction de l’écoute chez la gauche québécoise, 1963-1968.” Avec ou sans Parti pris international conference (Centre de recherche interuniversitaire sur la littérature et la culture québécoises / Bibliothèque et Archives nationales du Québec). Montreal; 4 October, 2013.

Film Programming, Curating, and Workshops:

Local Records #1: Musical Improvisation in the Archives (Gallery Leonard & Bina Ellen). Montreal; 13 September, 2016.

Studio d’écoute 1: free jazz et vidéo (Centre DAÏMÕN). Gatineau; 21 November, 2012.

Liner Notes:

Nouveau jazz libre du Québec. En Direct du Suoni per il Popolo. ℗ 2014. Bronze Age Records. LP.